The cover shows a detail of the central panel of a late 15th or early 16th century triptych by Hieronymus Bosch. It is housed in the Prado in Madrid.
ARTICLES
Vestigia Volume 1, Issue 2, 2018, pages 8-10
Vestigia Volume 1, Issue 2, 2018, pages 11-31
Not being able to live otherwise. Kafka, the animal, the artist
Francesco Raparelli earned a PhD in philosophy. He collaborates with the University Roma Tre and is among the founders of the Libera Università Metropolitana (LUM) at ESC Atelier (Rome) of which he is an activist. He has published: La lunghezza dell’Onda. Fine della sinistra e nuovi movimenti (Ponte alle Grazie, 2009) and Rivolta o barbarie. La democrazia del 99 per cento contro i signori della moneta (Ponte alle Grazie, 2012). He has edited Istituzione e differenza. Attualità di Ferdinand de Saussure (Mimesis, 2014).
Vestigia, Volume 1, Issue 2, 2018, Pages 32-37
Will the lambs still scream? On the silence of animals
Vestigia, Volume 1, Issue 2, 2018, Pages 38-43
Vestigia, Volume 1, Issue 2, 2018, Pages 44-69
Animals have no hand: an essay on animality in Derrida
Vestigia, Volume 1, Issue 2, 2018, Pages 70-93
Animal sacrum. Animal difference
Vestigia, Volume 1, Issue 2, 2018, Pages 94-111
In groppa all’asino, diretti verso l’ignoto
Vestigia, Volume 1, Issue 2, 2018, Pages 112-131
Vestigia, Volume 1, Issue 2, 2018, Pages 132-146
MISCELLANEOUS
Vestigia, Volume 1, Issue 2, 2018, Pages 147-166
Vestigia, Volume 1, Issue 2, 2018, Pages 167-170
Vestigia, Volume 1, Issue 2, 2018, Pages 171-195
Vestigia, Volume 1, Issue 2, 2018, Pages 196-217
Vestigia, Volume 1, Issue 2, 2018, Pages 218-225
Vestigia, Volume 1, Issue 2, 2018, Pages 226-233
Vestigia, Volume 1, Issue 2, 2018, Pages 234-247
REVIEWS
Vestigia, Volume 1, Issue 2, 2018, Page 248-258
BULLETIN
Vestigia, Volume 1, Issue 2, 2018, Pages 259-284